Running the board

The board is a mixer. You may imagine sound playing into the different channels on the board; the decisions you make on the board decide which channels are on, how loudly they play, and where the sound goes next.

The "On" and "Off" buttons at the bottom of each channel decide whether that sound comes into the mixer.

The little buttons above the volume sliders decide where the sound on that line will go.

PGM: output goes to the Program Computer to be broadcast live.
Aud: output goes to Adobe Audition recorder.
Tel: output goes to the telephone lines.

Going Live

The master computer directs all output from the board to the air, starting around 16:00:01, and takes the output from the board off the air around 16:55:00.

Either it works or it doesn't.

Getting the show on the air is not the lowly moderator's problem.

How to Set Up for the Show

Start Spark Chat

Double-click the Spark icon.
Double-click conference chat.
Fuss with name to personalize it and get the desired color scheme. â€œDaughter of Zionâ€ apparently is not a good color. â€œfatherâ€ is hot pink.
Resize and relocate the chat window to taste.

Start Adobe Audition

Double-click on icon.
Click record button.
A small window will pop up asking confirmation of the default bit rate. Click OK.
May start this early. The material recorded before the program begins can be trimmed.
Make sure that the recording track is not highlighted.
- Black = not highlighted; white = highlighted.
- If the recording track is highlighted, Audition will stop recording at the end of the highlighted block. That's bad!
- To unhighlight the track, click on it once.
- Sanity check: Start recording, minimize the window or drag another window over it, and make sure that the recording continues. Be careful not to highlight the track while doing the sanity check!

How to inadvertently highlight the recording track (bad dog!)

Start recording.
Press the stop button.
The material that you have recorded to this point will be highlighted.
If you now press record again, the program will record over the highlighted portion of the track, then stop at the end of the highlight.
To clear the track (turn it black), click on the track once. Now when you press the record button, the recording will continue through the rest of the show.

White bar bad! You can only record as much as is highlighted.

Black bar good! Ready to record the show.

Test ability to work in other windows

Adobe Audition can get into a state that will not allow recording to continue if you click in another active window. Test it beforehand to make sure that it keeps recording while you go to a browser window.

The only remedy for this condition is to reboot the computer. You will need a username and password to complete the reboot.

Set TEL BUSS switch in Studio A

Before the program, be sure the switch left of the Comrex switch in Studio A at the top of the rack is directed to Studio B.
The switch is labeled TO STAC VIP FROM TEL BUSS.

Start STAC VIP

Click on STAC VIP Telephones shortcut on the Desktop in Studio B.

Plug Headphone into Board

There is only one jack over in the lower righthand corner of the board.
Turn Headphone on (Monitor is optional).
Control volume with Headphone knob.

Studio A

Studio A: Microphone

Line 7: Microphone A1

Highlight all 3 buttons at top (Pgm, Aud, Tel).

Push â€œOnâ€ to use the mic, â€œOffâ€ to clear throat.

Studio A: CD Player

Set Channels on the Board

CD1 & 2

Line #14 = CD1 = Intro / Outro CD.
Line #15 = CD2 = Interlude CD.
Turn on three buttons above slider: Pgm, Aud, Tel.
Turn line â€œOn.â€
Put Intro/Outro CD into CD player #1.
Put Interlude CD into CD player #2.
Bring sliders up to audible level.
It only takes a minute to test that you have the right configuration. The Interlude plays for twenty seconds. Make sure that it plays only once and then stops. The next time you press play, it should play again once and stop.

Studio A: Configure CD player

Power on.
Put each player into "play one track and stop" mode.
Put Pitch Lock on.
Intro/outro music CD in player #1.
Interlude in player #2.

Studio A: Telephone Lines

Channel 17 = A1
Channel 18 = A2
Turn on Pgm and Aud but not Tel (!). Sending the telephone output back to the person on the telephone will create a wicked feedback loop. The Tel button has a black line drawn through it with magic marker to remind you of this essential step.
Leave both lines off. This is like leaving a handset on a telephone. When the phone lines are "off," i.e., not in use, they are ready to receive a call. When the time comes, turning the line "on" will be exactly the same thing as picking up a telephone to answer it.

Studio B

Studio B: Microphone

The moderator's microphone is channel 1 on the board.
The guest microphones are channels 2, 3, and 4.
Highlight all 3 buttons at top (Pgm, Aud, Tel) to send the output of the channel to the air, to the recorder, and to the telephone.

Four microphone channels available. To configure a channel for use, turn "On" at the bottom and press Pgm, Aud, Tel at top.

Studio B: Telephone Lines

Channel 11 = B1 = Extension #132
Channel 12 = B2 = Extension #133
Turn on Pgm and Aud but not Tel (!). Sending the telephone output back to the person on the telephone will create a wicked feedback loop. The Tel button has a black line drawn through it with magic marker to remind you of this essential step.
Leave both lines off. This is like leaving a handset on a telephone. When the phone lines are "off," i.e., not in use, they are ready to receive a call. When the time comes, turning the line "on" will be exactly the same thing as picking up a telephone to answer it.

300px
Telos output does *NOT* go
back to the telephone!

Studio B: Stinger

Double-click the Stinger icon.
Click on CAC tab or press F2.
Click on a button to play the desired track once.
To add a track to Stinger, press CTRL-F, find the track, then drag it to an empty button.
To remove a track, right-click on the button and select the remove or delete item from the menu.
To save your configuration, use "File / Save set".

Studio B: CD Player

This is a tricky beast!

It is a Marantz PMD321 Professional Compact Disc Player.

User's Manual.

It has to be programmed to play one track and stop. Otherwise, it just acts like a CD player and plays one track after another without stopping. Well, DOH! That's what CD players do, isn't it?

In normal mode, you can press the Pause Button to stop playing at the end of one track, then press the Pause Button again to resume playing for the next track.

To select which track to play next, press the button associated with the desired track.

How to set microphone levels

The red LED on the sound meter reports peak sound levels faster than the needle.

It's good to see LED peaks on a regular basis, but not lit all the time. Momentary peaks mean that the sound is full.

Red-lining the needle and the LED is bad. Back off from the microphone or lower the level.

You may also be able to check the height of the wave distribution in Adobe Audition. The goal, I believe, is close to the top, but not over.

How to start the show

Press play button on CD player at 16:00:01.
Wait for the right chord, then fade music and do intro over it. Keep talking and the music will quit after a minute.

How to play Interlude

Studio A: Interlude

Interlude CD should be in player 2
The three output buttons for player 2 (Pgm, Aud, Tel) should be on.
The input line for player 2 should be on
Press play button for CD player 2

Studio B: Interlude

How to take a call

Note well: The first time you drag a call to the tiny telephone it will ask you for a password. Close the pop-up screen and do the transfer again. It will be fine for the rest of the show.

Make sure that the channel you want to use (A1, A2, B1, B2) is "Off." You can't answer a telephone call when the receiver is off the telephone; you can't answer a transferred call unless the line is "Off" when the call is transferred.
Drag tiny people icon from lines 60-63 to the tiny telephone icon on the A1 or A2 connection with the mouse. It is really important that you drop the tiny people icon on the tiny telephone icon. If you fail this test of hand-eye coordination, the call is dropped!
Nothing will happen until you release the mouse button while the little people are hovering over the tiny telephone. The purpose of this feature is so that the little people can be dragged over lots of irrelevant tiny telephones en route to the line to which you wish to route the call. "Let my people go!"

Little people	Tiny telephone

Release the mouse button with your right hand and depress "On" button with your left hand. There is no rush. The caller will hear the phone ringing as the transfer is made. You have at least a minute to "answer the call" by pressing the "On" button.
Bring up caller's slider while saying "Hello, _____, you are on the air ...", and then adjust the slider volume as needed when they start speaking.
Remember the name of the person transferred to A1 or A2. There is no cue available after the call is transferred.

Summary for the moderator

Look at the board.

- Volume at zero.

- Channel OFF.

Look at the screen.

- Drag and drop.

- Verify that the call has transferred by watching the tiny telephone start to ring.

Look at the board.

- Press the ON button. Watch it light up.

Look at me.

- Listen to me.

- Give me hand signs as needed.

You can show me you want to say something by pointing at yourself. If I've got my eyes open, I'll nod and wrap up what I'm saying, God willing. :o)

- Help to round out the question I'm talking about, if you wish.

Make the segue (transition) to the call.

Use slider to mute caller

To keep the caller on the line but to silence them, bring the slider down to zero.

Use the "Off" button to hang up

The "Off" button drops the line.
Reset level on slider to average.

CAC e-mail setup

If the call screener does not monitor cac e-mail, then the engineer needs to do so.

Open a new tab or window in your favorite browser (IE or Firefox).

Copy and paste this address into the address bar: ________________________.

Log in with the cac username and password.

Check e-mail when you get a chance.

Studio B Headphone Switch

There is a little box on the priests' side of the Studio B board that allows up to four headsets to listen to either Studio A or Studio B.

There is another little box on top of the CD player on the moderator's side of the board that selects whether the headset mixer will be connected to Studio A or Studio B.

To switch from one studio to the other, first press the "Channel Reset" button on the Broadcast Tools box, then select Studio A or Studio B.

The purpose of the switch is to allow the two studios to function independently of each other. Two totally separate shows can be produced at the same time in the two studios. When the engineer is in Studio A and the guest(s) are in Studio B, the switch must be in the "A" position.

How to end the show

Lower slider on Line #4 â€“ CD 1.
Start outro music playing on CD player at 16:54:00.
Bring up music gradually to audible-but-notoverpowering level.
Do outro. Stop talking before 16:54:00.
Bring music slider up to normal level and let the music finish. Goal: hit last chord before the Program computer switches to next output.

Save the recording

Stop the recording in Adobe Audition.
In Adobe, select "File / Save As".
Browse to My Computer â†’ (Z:) â†’ Production â†’ CAC â†’ {this month-this year}
Left-click once if there is a file in the folder already, then edit the date. Otherwise, name file like this: CAC-MMDDYY.mp3.

So, for example, the November 8, 2010, show ends up with this filename:

Z:\Production\CAC\November-2010\CAC-110810.mp3

Click Save.

Shut down

Turn off all lines and all buttons on the board.
Exit Spark, Flash Operator, and Adobe Audition.
Restore original Sparc font size (if I've fiddled with it).
Turn off the computer monitor.
Close the door to Studio B--keep it cool.

Studio A

Open the door to the computer room to improve circulation. Close the door to the corridor after exiting the studio.
Turn off the CD player on Friday afternoon in Studio A.

Say goodnight, Gracie.

Learning from mistakes

Transferring calls

LEFT-click on little people to drag them over to the tiny telephone.
Trying to drag the red light does no good.
Nothing happens with the tiny telephone until the little people are let go on top of it. This allows the mouse to travel over other tiny telephones without disturbing them beforehand. Letting go is what actually drops the people on the phone.
Test the feel of the big On/Off buttons. I think I only half-pressed them a couple of times.
If I drag the little people to the line I am currently using to talk to someone, that produces "call waiting sounds." That's no good!

I've made this mistake twice. I did it again on 17 August when trying to move a call to Line 1 after hanging up that line and before bringing up the volume on line 2. I put Bob's call over Nick's call. Fortunately, Nick had a good sense of humor and kept calling until we were able to talk at last.

Other items

Show opening: position one hand or the other on the computer's slider for lowering the level of the music!
17 August: I forgot to pray at the beginning of the show! Jumped right into the rosary question.
CD line on if I'm going to play a CD (DOH!).
The key to using the CD player in Studio B is to use the Pause Button to stop and start the playback. If I use the Pause Button to pause a CD, the only way to start it up again is to press the Pause Button. The Play Button is taken out of play. I don't know what Cue does.
Work on intro and outro before the show. Have a plan in place!
- "Good afternoon and thanks for listening to 'Calling All Catholics. I'm Fr. _____________ ... This is [Faith and Reason Friday ...]" Give phone number, e-mail, and Facebook information, as usual.
- "Thanks for listening to 'Calling All Catholics.' A podcast of today's show will be available by 10 AM on _____________. Fr. __________ will be here to take your calls on ________________. We hope you will have a very happy [evening / weekend]. God bless you!"
Thank callers and correspondents by name at the end of answering their question(s).
Run computer slider down before starting outro music. Bring the music up slowly. No need to rush!
Leave mic off until after I've got the recording started and the music playing! I tend to talk to myself under stress. No need to inflict my oopsies on the audience!
Remember to e-mail chat transcript to myself as usual.
I turned off the PC line instead of the phone line one time. Then I got a busy signal when the phone line went dead. I get tunnel vision when I'm talking and punching buttons at the same time! :o(
Similarly, I must make sure the PC line is on and that I've got the right slider when it's time to play the outro music. I haven't made this mistake yet, but I can see that it's the kind of thing I'm likely to do under stress.